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FIRST WOVEN SAMPLE

12/5/2013

 
One of the first contacts we made in Mexico was with a weaver from Bernal, a very idyllic town in the state of Querétaro where there are a lot of crafts shops. We met him in his own shop where he was weaving on his self-built loom and we were immediately impressed with the quality of his work. In turn, we showed him some of ours and he liked it, so we made an appointment to come back for a weaving experiment. 

When we went back we brought handspun plastic yarns in different colors and thicknesses, so he could try out different things and assess the quality of the yarns. With fascination (and very, very big smiles) Raquel and I watched as he worked on his loom and a beautiful textile started to form. After about an hour of weaving, it was ready to be cut loose, and we are very pleased with the result. It is so wonderful to see that something small that you start, begins growing when you share it with others. This first sample marks the birth of  an exciting collaboration that I hope will last for a long long time.
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BACK TO GUALUPITA

11/30/2013

 
Even though our spinning experiment in Gualupita didn't work as well as we'd hoped, the tip we got that day about the weekly meeting of the town's craftsmen proved very valuable. On a monday evening we went back to Gualupita, expecting to find maybe a few people at the crafts center, but when we got there the place was bustling with activity. Many women and a few men were there with their work (mostly knitting) and were discussing all the pieces that would be sold in the shop.

We quickly introduced ourselves to the lady who seemed to be in charge and she immediately called everyone to attention. The people fell silent as Raquel explained who we were, and why we were there. While she did the talking I passed around a few bobbins of plastic yarn and the textile I had woven with them. I've seen the astonished reactions of people when they realize the material they are looking at is actually made of plastic bags many times before, but here it was extra special because these were not any people, they were very experienced craftsmen and they were impressed. 

One man was immediately pointed out by te crowd, he was the one we should talk to. His name was Tito and he was one of the few remaining weavers in the town, but also the most inventive one. We had a really nice conversation with him and he was eager to learn more about the material. He invited us to come by and try out some of his self-built machines, so a couple of days later we returned to Gualupita with a good supply of cut plastic bags to see señor Tito at work. 

We were welcomed by him and his wife into their home, which was also the workshop. A large weaving loom took up a third of the living room and a slightly smaller one occupied most of the bedroom. Besides that he had a knitting machine and different self-made machines for spinning yarns and winding bobbins standing around the place. We tried the different machines for spinning and this time with much better results than with the large wool twining machine we tried before. One of the machines needed a little bit of tweaking to work optimally with plastic, but señor Tito was happy to work on some adjustments. 

When he's made the modifications, he is going to try to spin a larger volume of yarns for us and test them out on one of his weaving looms, so we'll go back for that soon. It was great to meet and work with such a fantastic weaver/inventor especially because he seemed just as exited about this new experiment as we are.

MEANWHILE IN THE CAPITAL OF CRAFT

11/27/2013

 
A visit to Morelia, Mexico's former capital, has made a great impression on me. Raquel's father who was born there assured me it was the capital of the world. I don't think I agree with that, but an argument could surely be made to call it the craft capital of the world. Never have I seen so many crafts and of such a diversity as in Morelia. Textiles, glassware, pottery, copperwork, woodwork, silverware, basketry, you name it and it can be found in Morelia, and all (of course) of the finest quality.

There we met with señora Esperanza, who works on a waist loom, with which she weaves beautiful lace-like textiles. She is one in a long line of weavers to use this technique and has in turn taught her daughter and granddaughter the craft. 

We've shown her our plastic yarns and she was delighted to give them a try. She immediately started on the warp while telling us about her work. Here you can see her with a few bobbins of yarn that I've spun and the tool she uses to measure the warp. Her samples should be done in a few days and we can't wait to see how they've turned out.
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SPINNING EXPERIMENT

11/23/2013

 
In the town of Gualupita there used to be a blooming textile industry. In the nineteen thirties, one family invested in a range of large machines for spinning wool, to supply the local textile workshops with the yarns that were in high demand. Since then a lot has changed, the textile industry has all but disappeared from Gualupita and the machines that have been in possession of the same family for three generations are now used no more than once or twice a week. 

The current owner was very curious about our samples of plastic yarn spun on a spinning wheel and spent an afternoon with us experimenting with our material on his twining machine. The machine could make around 160 bobbins of yarn at the same time, but since so far we're only making samples, we used two bobbins for our experiments and helped the spinner prepare the other bobbins to twine the wool he normally works with. 

This turned out t be a bit of a problem, because our plastic threads are much more fine and smooth than wool. The machine was perfectly adapted to thick wool but did not have enough tension for our thin material to spin well. Although the two bobbins of yarn we made look really nice, they are not of sufficient quality for us to work with. 

It's a pity the old machine doesn't work for us, it would have been great to give it a new purpose, but fortunately the spinner told us that most craftsmen that still remain in the village (mostly knitters) own spinning wheels. They use them not to spin yarns, but to wind yarns that are already spun, and they might be able to work with our material without too many changes. They meet once a week, and we are invited to their next meeting to see if someone would like to collaborate. 

CRAFTS ARE (STILL) EVERYWHERE

11/19/2013

 
The first few days in Mexico have been amazing. I have teamed up with Raquel Sereno Rivas, who initiated this collaboration and together we've been exploring opportunities for working with Precious Waste in Mexico. So far every single thing about the country is intriguing and exiting, and I'm very lucky to be staying with Raquel and her family who are showing me around, telling stories and having me enjoy all the local specialties.

What's most exiting for me is how abundant the traditional crafts still are. It is a fact that they are diminishing, but I couldn't have imagined the enormous variety of work that is still being done. It is sad to see that when you go into a workshop full of weaving looms only a few are being used, but it's encouraging that there still a lot of skilled people around and willing to try out our material. 

Although three weeks is a very short time to get things of the ground, I'm confident we'll have a good foundation to work from. The first samples will be made soon and I'm looking forward to see what these experienced craftsmen and women can do with my material.  


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TAKING A NEW STEP WITH PRECIOUS WASTE

11/9/2013

 
Since graduating with Precious Waste in December 2009, I've received a lot of great responses to the project. The plastic bag textile has been exhibited in numerous exhibitions around the world and it's been nominated for several awards (even won a really nice one). I've had inquiries from many people about what the next step would be. What kind of products was I going to make with it or when would the material be on the market? Had I talked to any large producers yet? And had I thought about going to a less developed country for production?

All of these things had crossed my mind, but there was a big gap between a recently graduated designer with a nice idea but without resources and the vision of an amazing product that would attack the issue of plastic bags in the real world. I decided that I would not abandon Precious Waste, but that my first priority would be to sustain myself. So over the past few years I've tried to develop myself as a designer and taken on many nice projects (the results of some you can find on this site), while responding to every inquiry and invitation that had to do with Precious Waste. I've given talks, demonstrations and interviews, shown in exhibitions and even appeared in a children's programme. All of the people I've met and talked to because of this, reinforced the idea that this project really has potential.

Of course, when you meet so many people to talk about your idea's, you're bound to meet someone who understands exactly what you mean and wants to collaborate. And for over a year I've been in touch with a group of people who share my vision of design, craft and sustainability. We've been plotting and planning over Skype between the Netherlands, the UK and Mexico and I am super exited to announce: the time has finally come tot take the next step. Within a week I'll be on my way to Mexico City and from there we'll visit with different weaving communities to see how their craft and my technique can connect. On this blog I will share stories of my experiences in this collaboration, so be sure to check back soon!
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